This project was conceived as a result of concerns regarding
the exploitation of ancient Sukhothai ceramic ware, which dates back 800 years
and has highly specific characteristics.
The intent was to design a building which accommodates the
university’s future master plan and embraces the elegance of the Surath Osathanugrah
Library, while still retaining its individuality.
The resulting museum is modern in appearance while also
reflecting the essence of ancient Sukhothai art and architecture -- in
particular, the Tao Turian Kiln, a special excavated kiln used in the baking
process to produce Sukhothai ceramics.
This one-story museum is sunk 2.8 meters below the ground level. The design prevents moisture permeation by utilizing double-layer walls and an air-conditioning system with efficient humidity control. The section of the building below ground level also boosts energy efficiency with less exposure to harsh sunlight.
Temporary and permanent exhibition spaces, a study
space, an administration office, and other support facilities are covered by a
sculptural lawn roof which appears to emerge from the landscape. The museum complex
also includes a 200-seat outdoor amphitheater and an outdoor exhibition space.
Christiani & Nielsen (Thai)